Rabu, 20 Juli 2011

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

  • Sales Rank: #4285468 in Books
  • Published on: 2011-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.19" w x 5.51" l, 1.48 pounds
  • Binding: Paperback
  • 536 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Alfredo Hernandez Mu�iz
This book is a clasical for me for reinforced my basical knowledg

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[D683.Ebook] Get Free Ebook The King in the North: The Life and Times of Oswald of Northumbria, by Max Adams

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The King in the North: The Life and Times of Oswald of Northumbria, by Max Adams

A stunning recreation of the life and times of Oswald of Northumbria: Christian warlord, founder of Lindisfarne monastery, and the first great English monarch

Oswald Whiteblade lived one of the most influential and colorful lives in early English history. Before his death in battle against the pagans of Mercia cut short his reign as king of Northumbria (634-42), he remodeled his northeastern English homeland as a Christian kingdom, founded the monastery of Lindisfarne, introduced a culture of learning which influenced all Europe, and became the most powerful ruler in Britain. Max Adams's thrilling account rescues Oswald from Dark Age obscurity to reveal an unjustly forgotten English hero—a king whose return from exile to reclaim his birthright was the inspiration for J. R. R. Tolkien's Aragorn in The Lord of the Rings. But this�is more than just a biography of the first great English monarch; it is a stunningly researched, wide-ranging, beautifully written, and revelatory portrait of early medieval England in all its aspects.

  • Sales Rank: #1251982 in Books
  • Published on: 2014-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.40" h x 5.00" w x 7.70" l, 1.18 pounds
  • Binding: Paperback
  • 464 pages

Review
"A triumph. The most gripping portrait of 7th-Century Britain that I have read... A Game of Thrones in the Dark Ages." —Tom Holland, the Times

"The author has an engaging way with words, you feel personally guided in the quest." —Newcastle Chronicle

"A superb biography... a wonderfully vivid portrayal of early medieval England." —the Hexham Courant

About the Author
Max Adams is the author of Admiral Collingwood�and The Prometheans, which was a Guardian Book of the Week.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Much more than only about Oswald
By JPS
King of the North is supposed to be about “the life and times of Oswald of Northumbria”, as the book subtitle hints at. Written in an entertaining way and targeted at the general reader, this book is much more than that, with Oswald of Northumbria being almost a pretext for telling a much wider story over a much longer period than the mere eight years during which this warrior-king reigned. In a way, this is just as well, given how little real historical information we can really rely upon.

This is perhaps the first merit because the author, who clearly knows his topic and has done his research, manages to tell the story of most of Anglo-Saxon England over a period of about four centuries, with a special focus on its northern parts, while still being able to link this to Oswald. Part of this is achieved through the pretext of providing necessary context while events subsequent to the warrior-King’s death are also described as part of the King’s legacy or as part of the growth of his legend.

Another interesting feature is the provision of chronologies for each of the book’s major sections. While these may be tentative than the author cares to admit, and also largely reflects his assumptions, choices or even educated guesses in some cases, there is no denying how helpful they are for the reader who would very likely be confused or even lost in their absence.

A third focus and strong point of this book, although there are many others as well that I will be unable to mention in this limited review, is the emphasis put on the King or, perhaps more accurately, the paramount warlord. The author clearly shows to what extent the king’s power was essentially personal. Most, if not all, of his achievements vanished with his death or, at the very least, had to be re-established and reaffirmed by his successor. With very little or no permanent infrastructures to support his reign, his domination over his own kingdom and over those of his neighbours was essentially exercised through the payment of tribute in kind and the obligation to furnish men and war-bands to fight alongside his own.

As Max Adams insists upon several times, part of Oswald’s legacy was to be the King who allowed for the foundation of Lindisfarne and favoured the expansion and development of the monks of Iona who had brought him up in Northumbria. Another part was to be the heroic “Christian martyr” who was killed in battle by a pagan Angle King (Penda) with his body being dismembered and the body parts subsequently becoming powerful and miraculous relics to such an extent that even the family of his killer sought to associate themselves with his growing cult. The author does however also show that such a cult closely and largely associated pagan elements with Christian ones. He is also at his best when describing the expansion of the monks of Iona, the power politics that they were involved in, and their rivalry with Rome.

The book is also excellent when discussing the sources. These discussions, which can easily become tedious for a non-specialist, are however necessary if only because there is a need to establish to what extent the various sources are credible and can be relied upon. They also cannot entirely be avoided since the author must establish to what extent his respective sources’ biases may have distorted his narratives, as they almost always do to some extent. This is something else Max Adams have achieved in a rather superb way when discussing the Venerable Bede and showing that the picture he paints of wars between Britons, Picts, Scots and Anglo-Saxons was largely a misrepresentation. As he demonstrates, their almost constant fighting was against just about all neighbours, irrespective of origins. Few conflicts, if any, seem to have animated and motivated by any sense of a common identity, as opposed to common (and short-term) interests.

There are however a few interpretations and statements made by the author which may be somewhat questionable. For instance, while his statement about the small size of the armies of the time which were war bands of perhaps no more than a few hundred men each seem convincing, his assertion that Oswald’s forces were greatly outnumbered when they caught by surprise and destroyed those of Caedwallon seems more difficult to believe, if only because it is somewhat contradicted by his reconstitution of the running battle. It is also difficult to reconcile with the list of supporters and war bands that took part in Oswald successful bid for Northumbria. In fact, and despite the author’s tendency to minimise his forces which he believes to have been in the low hundreds, they may have exceeded a thousand. They may even have matched those with the enemy king who perhaps did not even have all of his forces with him when he was so obviously caught by surprise since to live of the land that he had been occupying, he would logically have dispersed his forces. This would have helped to explain why the battle was so decisive and ended with Caedwallon’s death and the destruction of his forces. Anyway, the bottom line here, and with so much else in this book, is that there is not the slightest shred of evidence to “prove” a case either way.

There are also a number of other instances where the author seems to get almost “carried away” by his subject and is prone to exaggerations, such as the instance when he mention a band of forty warriors and calls them an “army”. At times also, the author tends to “overdo it” a bit when attempting to relate events and times about which we know very little to periods that are presumably more familiar to the reader. One example which I found rather extreme in its anachronism was a somewhat superficial comparison between an Anglo-Saxon warlord and his warriors and an English captain of a frigate during the Napoleonic wars. I am not at all sure or convinced that the ties between an Anglo-Saxon battle king and his warriors are similar, or even comparable, to those between a British Navy captain and his crew, apart from the fact that both shared in the dangers and divided the bounty and spoils between themselves when victorious. This is not in any way specific to either the periods or the regions if only because the division of spoils and riches plundered from the enemy between the victorious fighters and their commander is possibly as old as war itself and would continue to take place until quite recently.

Finally, despite all its qualities and in particular this book's ability in shedding some light onto what has long been called the 3Dark Ages", the book's contents, however remarkable, did not entirely convince me. While King Oswald clearly was the precursor of many things, starting with the Christinisation of Northumbria, the book does show that the real founder rahter seems to have been his younger brother and successor Oswiu who reigned much longer, perhaps more successfully and seems to have been perhaps less rash.

Four stars for a rather superb, very accessible and highly recommended book, despite a few minor reservations.

4 of 5 people found the following review helpful.
a great book about a great man!
By Heather C. Mcfarlane
This is a wonderful book. It's about Oswald, King and Saint, and Max Adams manages to make this dark age ruler live for the reader. My only problem: it should have had more and better maps. The book's maps are only adequate, and I have had to blunder my way around a fairly good atlas. However, this is the 7th century, times have changes, the roman road system was still being used, but most of the bridges had disappeared... really, I have only today found "Gilling."

The story of Oswald and his brother Osieu deserve a full court map and photo extravaganza.

3 of 3 people found the following review helpful.
Excellent and informative
By Decorating Queen
Adams has produced a well-written biography of Oswald that is rich in detail. I've been reading historical fiction novels about the time period and wanted some context and background. What I got was certainly that, but also a great read about a fascinating man whose resilience was remarkable.

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Kamis, 14 Juli 2011

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The Real Deal on Love and Men: Getting Smart About Dating, Romance, and Living Happily Ever After, by Michelle McKinney Hammond

Bestselling author Michelle McKinney Hammond (1.5 million relationship books sold) fields women's questions on love, men, dating, and marriage. With her unique "tell it like it is" style and compassionate understanding, Michelle helps readers navigate the male/female maze, including:

  • "Get a Life"―Finding and creating opportunities to meet godly men
  • "The Man/Woman Thing"―Understanding and appreciating gender differences
  • "Closing the Deal"―Identifying deal breakers and deal makers while dating
  • "Cheating, Lying, and Other Love Traps"―When to stay and when to leave
  • "New Beginnings"―Gleaning wisdom from setbacks and then moving on
  • "Marriage"―Exploring expectations and establishing traditions

Everyone wants a love relationship, so why is it so hard to find and keep? Michelle answers the question and explores the ins and outs of love. "It's time to get down to the nitty-gritty and find out what makes love happen…It's time to engage our brains while following our hearts."

  • Sales Rank: #134018 in Books
  • Brand: Brand: Harvest House Publishers
  • Published on: 2013-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .48" w x 5.51" l, .50 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

About the Author
Michelle McKinney Hammond is a bestselling author whose books include The Real Deal on Love and Men and Getting Smart About Life, Love, and Men. A singer and speaker who focuses on improving love-driven relationships, Michelle is the founder and president of HeartWing Ministries She cohosted the Emmy Award-winning Aspiring Women for 10 years and currently cohosts TCT's 3D Woman.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Helpful!
By Irene's Book Reviews
There is a lot of advice in this book! Most of the helpful tips were easy to understand and implement. I also liked that this book covered the different phases in life that women are interacting with men. I felt that by covering the different relationships she was able to offer some well rounded and great advice. I gave this book 5/5 stars. I liked her writing style, which was not condemning in any way! I would recommend this book to any woman looking to improve her relationships with the men around her. I also would recommend any of her other book which are all helpful and well written!

I would like to thank the publisher for the copy of this book I enjoyed reading. I gave an honest review based on my opinion of what I read.

1 of 1 people found the following review helpful.
Thank You!
By Lisa Jay
I love that she tackled every subject dealing with love and relationships as a Christian. There were so many hard pills to swallow, but as I take in more living water, they go down easier.

0 of 0 people found the following review helpful.
seems like you're sitting at a nice bistro on the patio ...
By Chandra Hubbard
Very Informative and well written...seems like you're sitting at a nice bistro on the patio and talking with Michelle. I'd recommend to my girlfriends..and I have to several already! I also love the Spiritual perspective it's written from. I think I will teach from it for my Singles Small Group from church. #agoodread

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[L784.Ebook] PDF Ebook National Audubon Society Guide to Landscape Photography, by Tim Fitzharris

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National Audubon Society Guide to Landscape Photography, by Tim Fitzharris

A master photographer's guide to capturing the natural landscape -- written for hobbyists and pros.

Step-by-step instructions, pictograms, and before-and-after comparisons provide a complete course in capturing a landscape's natural beauty. Renowned photographer Tim Fitzharris reveals foolproof techniques he has used through decades of fieldwork in a wide variety of settings. His own outstanding examples are accompanied by detailed information on the equipment, exposure, film, shutter speed and filters used.

The book is designed for use with the latest digital as well as traditional cameras. Fitzharris encourages photographers to rise above technology and remain sensitive to a landscape's changing moods. Everything needed to achieve professional results is covered, including:

  • The best equipment and how to use it
  • Digital camera considerations
  • Detailed field techniques for a wide variety of natural settings
  • Using filters
  • Fine art composition, simplified and diagrammed
  • A step-by-step guide to recognizing and finding great scenic shooting sites
  • Getting a correct exposure every time
  • Recording mirror-like reflections in lakes and shooting postcard-perfect sunrises and sunsets
  • Creating high-quality panorama images
  • Post-production basics, including image selection and color correction.

Filled with tips and strategies, this outstanding guide includes all that's required for taking professional-caliber photographs of great landscapes.

  • Sales Rank: #1241802 in Books
  • Brand: Brand: Firefly Books
  • Published on: 2007-03-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 8.50" l, 1.38 pounds
  • Binding: Paperback
  • 168 pages
Features
  • Used Book in Good Condition

Review
Whether you are a newbie, a seasoned photographer, or simply a scenery bug, this new offering ... packs a mighty bang for your buck. It is almost a landscape photography workshop in book form, illustrated by the kind of views ... that make you suck in your breath in wonder (and, yes, envy) as you turn each page. (Joy McDonell Canadian Camera)

Crammed with insightful tips on creating landscape pictures, written in a straightforward style with minimal jargon, the book also showcases more than 100 of Fitzharris's eye-catching landscape photographs, complete with informative captions about how the images were made. (Popular Photography)

A glowing tribute to the beauty of North America. (Joy McDonnell, Editor-in-Chief Canadian Camera)

[Fitzharris's] advice on such topics as field techniques, fine-art composition, and the best equipment to use is invaluable. This highly accomplished and useful guide is an inspiring improvement over more basic volumes like Michelle Perkins's Digital Landscape Photography: Step-by-Step. Recommended. (Daniel Lombardo Library Journal 2007-11-15)

A valuable reference... stunning photographs.... Beginners to pros can benefit from this opportunity to look through [Fitzharris's] lens. (Grand Magazine (Kitchener, ON) 2007-10-31)

[Fitzharris's] advice on such topics as field techniques, fine-art composition, and the best equipment to use is invaluable. This highly accomplished and useful guide is an inspiring improvement over more basic volumes like Michelle Perkins's "Digital Landscape Photography: Step-by-Step." Recommended. (Daniel Lombardo, formerly with Jones Lib., Amherst Library Journal and LibraryJournal.com 2007-11-15)

If you are looking for a book that covers almost all facets of landscape photography, you should take a close look at Landscape Photography by Tim Fitzharris... The book has awe-inspiring images on almost every page, which is a good reason alone to by the book, but the information offered is some of the best I have read... The real strength of the book is the fourth part, where Mr. Fitzharris' writing shines. He covers most all of the usual situations where landscape images are captured and describes what to look for and how to capture beautiful images... His ideas and suggestions are all very good. The best reason to buy this book is the images that Fitzharris includes to demonstrate his vision, ideas, and suggestions. Looking at the images will improve your photography... [This] is a book that should be on a photographer's bookshelf if they are interested in landscape photography and even nature photography in general. (Nature Light Photo 2010-05-01)

About the Author

Tim Fitzharris is a critically acclaimed photographer known by his colleagues for his regular column in Popular Photography and Imaging magazine. He is the author of 25 books, including National Audubon Society Guide to Nature Photography, Close-Up Photography in Nature, Rocky Mountains: Wilderness Reflections and Big Sky: Wild West Panorama. He lives in Santa Fe, New Mexico.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction: The Earth, our planet, our home.

In its natural state it's difficult to imagine anything more beautiful. This book is intended to help photographers capture this beauty for the enjoyment of both themselves and others. The landscape is arguably the most difficult, challenging and fascinating of nature's subjects. It is an elusive target -- terrain shimmering in ultraviolet or buffeted by wind one day and twinkling with frost or glinting bronze under a sunset sky the next.

Not only does the landscape change, endlessly offering to the lens new contours, textures and colors depending on weather, light and season, it posts no signs to guide the photographer's approach. It does not encourage you to capture spreading antlers or eyes sparkling with highlights. Its appeal is broad, and as subject it is open to wide avenues of interpretation. It is more concept than thing, more mood or feeling than identity. You cannot take a picture of a mountain and say, "There, I've got it." You can only say that you know a bit of it, that you've spent some time near its energy.

If you have an artistic temperament, this will appeal to you. No matter how many times a famous landform has been photographed, your encounter with it will be unique and will remain so with every subsequent shooting session. Pulsing with light, mother of life, for the artist a subject both sublime and mindless, the land abides in us and for us. You appreciate this while looking through the lens, trekking to a shooting site or standing on a precipice waiting for sunrise. If you're reading this book, you're already attuned to this. You want to know more about direct engagement, about embracing this wonder of Earth through your eyes and insights, your photography and your art.

This book will help you understand how camera and film (or sensor) depict the land so that you can make images the way you see and feel. The technical components of professional-level landscape photography are all covered here. The emphasis of the book, however, is on the photographer's actual interaction with the subject. I've described here the numerous ways in which I photograph the landscape, the particulars of how I proceed to capture a dune field, ocean sunrise, autumn forest or alpine reflection. Each setting calls for the application of a different set of technical and artistic considerations. I've outlined the general procedures I use when working in the field, the focus being to enjoy the process while maximizing the quality of imagery.

To this end, you will find that keeping things simple -- technically, logistically, artistically -- brings you closest to the Earth, your subject, allowing the clearest expression of your artistic goals. The working models presented here are the ones that I use and know, but they needn't be the ones that you favor. There are many ways to approach landscape photography, and your art will benefit by considering how others photograph. As you gain experience you will discard some procedures, embrace others and develop new ones of your own.

It's impossible to photograph the landscape and not be aware of the accelerating deterioration of the planet's natural areas. Governments generally see progress in terms of economic growth manifested through industrial, residential, agricultural or commercial expansion, nearly always to the detriment of natural systems. As nature photographers we can use our influence to turn capitalism's focus on development to one that favors preservation. It's seems to be a losing proposition at this point, but you'll feel better and grow more appreciative of the subjects you photograph just for making the effort. Earthlings, unite!

Most helpful customer reviews

1 of 1 people found the following review helpful.
What a beautiful book
By Michael McKee
At the price this book is a bargain compared to many other photography books. And with page after page of stunning photos it might be worth the price for the pictures alone. Fortunately it is also a good how-to book on photographing nature.

Tim Fitzharris presents a pro's view of the subject, covering equipment, and other practical parts of the craft as well as offering an excellent primer on nature photography in particular but to do so he has also covered the basics of good photography in general. He also doesn't forget those who still use film and slides, discussing how traditional cameras are still the tool of choice for certain high-end and large size photographic needs.

I especially enjoy the way he shows a photograph and discusses how he took it and why he did what he did. There is a good mix of basic information and landscape specific takes that should appeal to a wide range of photographers. I love the book.

26 of 26 people found the following review helpful.
Finally! Someone Gets It Right!
By John Guilbault
Yeah, you need to get this book. This is the photography book I've been looking for. Tim Fitzharris doesn't just take stunning photographs, he disects photos and goes through the thought process so that the reader can understand what it was about the scene that caused him to frame it the way he did. He doesn't just say "follow your heart" or "discover what the scene is trying to tell you" or other artsy-fartsy stuff like that. He's a technician. He tells you how to assemble the photo piece by piece. No other book I've read goes into so much detail on how to actually frame a shot. Since digital cameras take away much of the worry about exposure, composition is the main worry, at least for me. Mr. Fitzharris does an excellent job of explaining vantage points, focal planes, proper camera placement and everything else associated with getting it all right in the camera.

Two tiny nits to pick, but certainly nothing worth deducting points for: 1) Fitzharris explains everything assuming you'll be using a 35mm or digital SLR camera, which is fine. But he uses a medium-format film or digital camera, and the pictures reflect this. Unless you're willing to spend the price of a new car on camera equipment, you shouldn't expect to be able to replicate the pictoral quality of his work. 2) Fitzharris points out that the best places to photograph water are actually from in the water, and he says that you should be "prepared to get wet". He also points out that this might cost you a camera or two, as any digital equipment dumped in the drink will be "a complete right-off". Whoa, there! Maybe a pro can right-off a few thousand dollars worth of equipment, but I saved for a year to buy my digital SLR. Taking it into the soup is just not an option.

One good thing that Fitzharris also covers is the amount of work necessary to get breathtaking shots. Up before dawn, hiking in the dark, coming back day after day if the light isn't right. He conveys the proper message that getting great shots on a consistent basis is real work. If you were under the impression that you could obtain shots like this while on vacation with your family, reading this book will quickly put that fantasy to rest. Fitzharris points out that it takes patience, dedication and time to get the good stuff.

This is by far the most informative book you can get on landscape photography. Fitzharris takes jaw-dropping, OMG-I-can't-believe-it photographs, yet it never seems that he's just showing off his work. I've read so many books where the author writes "this picture succeeds because..." and then goes on to explain why the shot he took is so great. In my view, if you have to explain to your readers why the picture succeeds, maybe it doesn't. Fitzharris never does this. He lets the shots speak for themselves, and simply describes the elements he looked for in composing the picture. And, wow. His pictures sure have a vocabulary!

4 of 4 people found the following review helpful.
Excellent resource
By Ugo Cei
I've recently been reading a slew of books on the subject of landscape photography. Probably I'm dreaming too much about being published one day on the pages of National Geographic, Audubon Magazine or Outdoor Photographer. Tim Fitzharris' National Audubon Society Guide to Landscape Photography (Firefly Books) is the last one in the series, so it's fresh in my memory, and it's one of the best, so I thought I'd write a review of it.

This book, of course, is for aspiring landscape photographer, but it assumes you have a good knowledge of the bases of the photography craft. You won't find here explanations of the exposure triangle, what ISO means, or other trivial stuff that you can find in any introductory text about photography, or for free on the Web. To be honest, you won't find a great deal of deeply technical stuff in this book, like for instance formulas to compute the hyperfocal distance (you can look that up on the Web too).

You will find here, however, a good discussion of optimal lens aperture, exposure time, and how to meter in difficult situations. So it's not like the book is only full of fluffy, artistic advice about pleasing composition. On the contrary, most of the advice revolves around quite practical, down-to-earth matters, like finding the best time of the day and the best lighting conditions for the kind of shoots you have in mind (or, even better, how to find the right subjects for a given lighting condition). It contains invaluable information on how to best pack your gear, how to select the best tripod, how to use filters. It even provides suggestions for how to dress for shooting in the desert, near the water, on the mountains.

Someone might think that all of this is of marginal importance, compared to the actual act of shooting, but I have a hunch it's fundamental instead. Being in the right place, at the right time, with the right equipment, warm and dry, is as important to getting a beautiful picture as carrying along the right lens. I have even earmarked some of the pages, like the one where using a photo vest with pouches instead of a traditional backpack is recommended, or the one about dressing with zippers instead of layers, for future reference.

Another recommendation that I think could be extremely useful is the one about getting familiar with a set of typical, recurring design templates. They embody eternal principles of composition that are common to all visual arts and can be invaluable in helping photographers to pre-visualize a shot and to recognize compositions that can often lead to a successful picture. As always, the advice to avoid stereotypes and occasionally think out of the box applies.

Any good photography book would not be complete without a selection of gorgeous pictures and this one is no exception. Tim Fitzharris' photographs are indeed among the finest. They're the kind of pictures that typically end up being published on the pages of the above-mentioned magazines, or on fancy calendars and posters. They are all colorful pictures of striking, natural, unspoiled landscapes, taken around sunrise or sunset and perfectly focused and exposed... well, now that I think of it, there are maybe too many colorful, striking, natural, unspoiled landscapes here. They were all taken in the American West, too. And the colors scream "Velvia" with a loud voice: Even the digital captures have that warm Velvia look. What I mean is that, just maybe, they smack just a tiny bit of manierism. I would have liked to see an occasional black&white shot, a rule-breaking, unusual composition, some human element, maybe even a blurry picture. Something artsy-fartsy that would surprise me, I don't know. Anyway, I guess most buyers of this book will have no problem with that, it's just a minor peeve on my part.

I've read some reviews complaining that all of the pictures in the book were taken with medium format cameras, and that's true. The 645 format is almost exclusively represented, with a near 50/50 split between analog and digital. Does that mean that us poor mortals with a 35mm DSLR, or even one with an APS-C sensor, cannot get any valuable information from this book? I don't think so. Aside from every gem contained here and which applies to what you should do before you even start shooting, even the technical shooting information can be applied, as long as you know how to convert focal lengths according to the size of your sensor or film.

In the end, my opinion is that Tim Fitzharris' book is a very good resource. It does not certainly cover every aspect of landscape photography, but what it covers, it does so from the perspective of a long career on the field and in a very clear and concise style. Other books (and I hope to review them here shortly) might cover different aspects, and their authors might disagree with some things that Fitzharris writes, so you should probably own more than one, but starting with National Audubon Society Guide to Landscape Photography is not the worst thing that you could do.

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Rabu, 13 Juli 2011

[O634.Ebook] Fee Download An American Utopia: Dual Power and the Universal Army, by Fredric Jameson

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An American Utopia: Dual Power and the Universal Army, by Fredric Jameson

Controversial manifesto by acclaimed cultural theorist debated by leading writers

Fredric Jameson’s pathbreaking essay “An American Utopia” radically questions standard leftist notions of what constitutes an emancipated society. Advocated here are—among other things—universal conscription, the full acknowledgment of envy and resentment as a fundamental challenge to any communist society, and the acceptance that the division between work and leisure cannot be overcome. To create a new world, we must first change the way we envision the world. Jameson’s text is ideally placed to trigger a debate on the alternatives to global capitalism. In addition to Jameson’s essay, the volume includes responses from philosophers and political and cultural analysts, as well as an epilogue from Jameson himself.

Many will be appalled at what they will encounter in these pages—there will be blood! But perhaps one has to spill such (ideological) blood to give the Left a chance.

Contributing are Kim Stanley Robinson, Jodi Dean, Saroj Giri, Agon Hamza, Kojin Karatani, Frank Ruda, Alberto Toscano, Kathi Weeks, and Slavoj Žižek.

  • Sales Rank: #380554 in Books
  • Brand: imusti
  • Published on: 2016-07-12
  • Released on: 2016-07-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .96" w x 6.10" l, .81 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Verso Books

Review
“In An American Utopia, Jameson affirms the critical function of utopian thinking and the efficacies of the form itself. He insists that the fundamental function of utopias is to revive a sense of the future, which requires taking aim at the forces that prevent us from venturing out from the comfortingly familiar confines of the present.”
—Kathi Weeks

“Jameson … gives us good reasons to call back utopia from obscurity.”
—Rain Taxi

About the Author
Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.

Slavoj Žižek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a sen-ior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, In Defense of Lost Causes, four volumes of the Essential Žižek, and many more.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good stuff
By digitalice
nice large print was cool. my first effort with Jameson. he's a very able teacher, able to communicate and engage the novice

25 of 29 people found the following review helpful.
A major imagining of what a Communist government in the United States might look like - it is not what you would imagine
By Robert Moore
This is a major new debate over a potential future for an America driven by leftist political ideals, in this case, an American under non-Stalinist Communism, or one driven by the ideals of Western Marxism (along the lines of thinkers like Lukacs, Walter Benjamin, Gramsci, Sartre, Adorno, Marcuse, Ernst Bloch, and Fredric Jameson). The outlines of the debate are laid out by Fredric Jameson's programmatic essay that starts the collection,and to which all the subsequent responses are devoted. That main essay is entitled simply "An America Utopia." For those who are unfamiliar with either Fredric Jameson and Western Marxism, let me start by saying that latter was often deeply critical of the events of the Soviet Union, though much of it was not (many on the Left looked at the Soviet Union with squinty eyes, so that it reappeared to them distorted, and in that distortion they saw a desirable form of government, one where the various Five-Year plans were, sorta, working, and that the Soviet Union was producing a better life for its citizen Ironically, it was only after the fall of the Soviet Union and the institution of Putin's Russia, driven by Pirate-Capitalism, with its deep ties to organized crime, that Stalin's Soviet Union finally turned out to be better than anything; almost inconceivably, Russia under Putin has become worse than Stalin's Soviet Union on almost every level - this has to go down as one of the most astonishing mess ups in World history; life under Stalin was inconceivably nasty, but there was a certain degree of economic fairness, everyone had access to public health, dentistry, and vision, and just about anyone could get a first rate education; today, more and more Russians have no health care, let alone dentistry and vision, while the generation educated after the downfall of the Soviet Bloc are far less well educated than those from the Cold War era, while Russia has quickly become one of the most inegalitarian countries in the world; one theory that I have is that Marxist theory was taught to children for so many generations that Russians came to know only the horrors of capitalism and none of its virtues, and when they became capitalists, they believed the propaganda and became capitalists on the model of those from the school boy and girl days. And consider economic opportunity. In the Soviet Union, a woman had every opportunity to become a physicist or a doctor, but in Putin's Russia, a new patriarchy has been reinstated. It is not, I believe, an accident that in the past 25 years, under the leadership and funding of organized crime, that Russia has developed the world's largest porn industry, which preys on the limited economic opportunities facing women.

Jameson has never, to my knowledge, been enthralled by anything that happened in the 20th Century in Russia, unless it is the extraordinary flowering of SF writing in the 1920s there. So he in no way would like to see us revisit anything like what happened in the Soviet Union. But neither does Jameson embrace Western, and especially not American, individualism (for a really great current book on the tortured and disturbing history of thinking on the obligations of the individual towards others in American society, see Colin Woodard's spectacular AMERICAN CHARACTER: A HISTORY OF THE EPIC STRUGGLE BETWEEN INDIVIDUAL LIBERTY AND THE COMMON GOOD; and while you are on it, read his previous book AMERICAN NATIONS, which does the best job of explaining the real differences between the various differences between the parts of the US and how this influences every aspect of our lives as as Americans; not just a masterpiece, but an incredibly fascinating read). Jameson is interested in how a joint life would be possible in America, one where everyone engages in their obligations as citizens (the greatest weakness in current free market capitalism is that its adherents doesn't even have to be active citizens at all - the goal of these kinds of libertarian theories is for the Scrooge McDucks of the world to be left alone to have a love affair with their money; seriously, didn't their always seem to be something just a little orgiastic in the cartoon images of Scrooge flopping around on the piles of gold in his basement?). Many would gladly and willingly do their civic duty, just as many participated in the Peace Corps and other humanitarian undertakings. But many would not, if they did not have to. Jameson feels that participation in civic life should not be optional, so he calls for mandatory conscription to work on civic projects. This is not unlike a universal draft that you see in Israel and some European countries, only it is not a call for universal military service.

This is a good place to say a couple of things about Jameson and his brand of Marxism. But let me say something about the history of Marxist thought, or more specifically what we mean by Western Marxism as opposed to Marxism as such. "Western Marxism" is an attempt to distinguish themselves from what was happening in the Soviet Union. Some 20th Century thinkers like Antonio Gramsci and Lukacs came to depart from Leninist- Stalinist thinking, which tended to be inflexible and intolerant of different opinions. If, as they believed, there was a scientific method that allowed one to understand the workings of history, then if people were completely rational and not blinded by the interests of class, all would see things the same way, though in practice that worked out to mean, "Stalin Knows Everything." None of these is sanctioned by Marx. While Marx felt it was probably right, he had enough humility to understand that there were things upon which he could be mistaken. In fact, part of the difficulty in finishing Volumes Two through Four of CAPITAL (Vol. 4 has been published in English as THEORIES OF SURPLUS VALUE) was uncertainty about how all the pieces in his theory about the market and market forces and the role of capital in all of this fit together. He wrote with a sense of supreme confidence, but his work was filled with self-doubt, especially after his stroke shortly after the publication of Vol.1, which slowed him down somewhat, allowing him to add only a few thousands of pages to his notes for CAPITAL Vols. 2-4, rather than the tens of thousands of pages he might otherwise have composed.

Jameson, like Gramsci and Lukacs and Bertolt Brecht and Sartre and Walter Benjamin and Marcuse and Adorno and Althusser and others who admire Marx but loathe Stalin and/or Mao, is a Western Marxist. This designation can mean all kinds of things: ideological splits with Lenin and/or Stalin, revulsion at the Stalinst oppressions (though keep in mind that while it was known that there were few personal freedoms such as that to protest as there is in the US, few individuals anywhere had any comprehension of the extent of Stalin's atrocities until the Politburo revealed them under Khrushchev), a love of many things that the Soviets deplored, or deploring things that the Soviet Union adored, or any of a number of things. Marxist Ernst Bloch, for instance, left Germany for England upon Hitler's rise to power, but was as leery of the Soviet Union. So he moved to the US and there wrote his gargantuan masterpiece, THE PRINCIPLE OF HOPE, which was the major influence on the German Theologian Jurgen Moltmann, whose THEOLOGY OF HOPE has been the major influence on South American and poor world theologies, inspiring Liberation Theology. Western Marxists are not doctrinaire like Soviet Communists were. Few of them had any trouble disagreeing with Marx on major issues, whereas Soviet Marxists, or formal members of the Party almost anywhere, had to somehow twist their interpretation of Marx to make it sound like something they could believe. Or take culture. Hardcore Communists strove to hate writers the Party told them they had to hate. Communists were allowed to love Dickens or Tolstoy or even Balzac, but there was a Index of disapproved writers larger than that of the Church of Rome. Western Marxists, however, are more willing to like officially disreputable writers. More interestingly, most Soviet Marxists – even most Western Marxists – tend to be ridiculously high brow. If they write about a “popular” writer, it is to disapprove and demean. One isn’t sure that they ever read to enjoy. Art isn’t supposed to be fun. But when you read Walter Benjamin, you can feel his love for the enormity of Western Culture, and not just those writers he is supposed to approve of. The same is true of Ernst Bloch and Jameson. While Jameson has made writing on Modernism the heart of his work, he is liable to write about just about anyone . . . and imply that there isn’t anything wrong if they aren’t ideologically pure.

So it would be mistaken to think of Jameson’s essay as an attempt to update Lenin. In fact, the need for individual citizens to take an active role in their government, which is seen in much of what Jameson has to suggest, is part of republican theories of government, so there is more than one source for some of the more controversial parts of his essay. There may be more than one way to achieve some of the goals he wants to achieve, but my point here from the start of my review until the end that it would be a mistake to make superficial assumptions about previous political traditions that feed into his own.

Finally, it is important to keep in mind that we will never see a world like the one that Jameson puts forward in his essay. Jameson knows this as well as anyone. Thomas More knew that when he wrote UTOPIA. In fact, few utopias have ever been meant to be taken as blueprints for a future government. But a great utopia provokes discussion. That certainly is the case with Jameson’s essay, as can be seen by the string of intelligent responses. By the way, one of these responses is a fictional one, by the SF writer Kim Stanley Robinson. In fact, if you read the Acknowledgements at the back of RED MARS, one of the people Robinson thanks is Fredric Jameson. Robinson actually studied with Jameson, who directed Robinson’s doctoral thesis on Philip K. Dick. So theirs is a pretty deep connection.

As a final comment, it is really important that people interested in leftist political issues debate issues in forums like this. Many people believe that today - after forty years of the Right making nonstop promises about the great changes that free-market capitalism can bring about for everyone, only to see a tiny minority of Americans actually benefit - America is poised for a shift back to exploring leftist political solutions. I definitely believe that this is the case. But the left needs to offer more than the failures of the Right, it needs to make constructive suggestions about solutions to the problems Americans share. Many have made some extremely constructive suggestions such as the need for a Universal Basic Income and the need to consider shortening the work week, to 30 or 21 hours a week, or revisiting national healthcare to provide a single-payer public option. Historically, nearly every important change in American history has taken place because ideas originating from the far left have been placed on the legislative plate by center-left politicians. These have included things such as the abolition of slavery, the abolition of child labor, the introduction of workplace safety standards, workers’ comp, Social Security, Medicare, the right of all Americans to vote, product safety standards, the 40 hour (as opposed to mandatory 70 or 80) week, religious freedom (instead of the mandatory following of only one national option), affordable and equitable education, the banning of practices (as opposed to opinions) that discriminate on the basis of religion, race, gender, or sexual preference, and an almost uncountable number of additional ideas. The Right, on the other hand, merely pushes through more tax cuts for the wealthy. The Left has only recently started to suggest new legislative ideas in the future. We will all benefit from when that day arrives, but in the meantime we have books like this. I recently read a book that quoted the writer the leftist political activist Gar Alperovitz, who stated that we are still at the tail end of a long period of right wing dominance in American political life. But we also stand at what could be called the pre-history of the American future. Ideas that are being discussed today, like a shortened work week, or a $15 an hour minimum wage, or a single-payer health insurance system, will be public policy in the future. I can’t wait for tomorrow. In the meantime, I am delighting in books like this one. I disagree with many of Jameson’s suggestions, but it is in working through our agreements and disagreements that we can help revitalize the American dream.

4 of 9 people found the following review helpful.
Fredric Jameson's War Machine
By David Swanson
The total acceptability of militarism extends well beyond the neoconservatives, the racists, the Republicans, the liberal humanitarian warriors, the Democrats, and the masses of political "independents" who find any talk of dismantling the U.S. military scandalous. Fredric Jameson is an otherwise leftist intellectual who's put out a book, edited by Slavoj Zizek, in which he proposes universal conscription into the military for every U.S. resident. In subsequent chapters, other purportedly leftist intellectuals critique Jameson's proposal with hardly a hint of concern at such an expansion of a machine of mass murder. Jameson adds an Epilogue in which he mentions the problem not at all.

What Jameson wants is a vision of Utopia. His book is called An American Utopia: Dual Power and the Universal Army. He wants to nationalize banks and insurance companies, seize and presumably shut down fossil fuel operations, impose draconian taxes on large corporations, abolish inheritance, create a guaranteed basic income, abolish NATO, create popular control of the media, ban rightwing propaganda, create universal Wi-Fi, make college free, pay teachers well, make healthcare free, etc.

Sounds great! Where do I sign up?

Jameson's answer is: at the Army recruiting station. To which I reply: go get yourself a different subservient order-taker willing to participate in mass murder.

Ah, but Jameson says his military won't fight any wars. Except for the wars it fights. Or something.

Utopianism is seriously much needed. But this is pathetic desperation. This is a thousand times more desperate than Ralph Nader asking the billionaires to save us. This is Clinton voters. This is Trump voters.

And this is U.S. blindness to the merits of the rest of the world. Few other countries in any way approach the militarized environmental destruction and death generated by the United States. This country lags very far behind in sustainability, peace, education, health, security, and happiness. The first step toward Utopia need not be such a harebrained scheme as a total takeover by the military. The first step should be catching up with places like Scandinavia in the realm of economics, or Costa Rica in the realm of demilitarization -- or indeed realizing full compliance with Japan's Article Nine, as mentioned in Zizek's book. (For how Scandinavia got where it is, read Viking Economics by George Lakey. It had nothing to do with forcing kids, grandparents, and peace advocates into an out of control imperial military.)

In the United States, it is the liberals in Congress who want to impose selective service on women, and who celebrate every new demographic admitted into greater status in the military. The "progressive" vision is now of slightly or radically leftist economics, side by side with a heaping platter of militarized nationalism (to the tune of $1 trillion per year) -- with the very idea of internationalism banished from consideration. The reformist view of the ever expanding American Dream is of the gradual democratization of mass murder. Bombing victims across the world may soon be able to look forward to being bombed by the first female U.S. president. Jameson's proposal is a radical advance in this same direction.

I hesitate to call attention to Jameson's book because it is so bad and this trend so insidious. But, in fact, the bits of his essay and of those critiquing it that address universal conscription, despite its centrality to Jameson's project, are few and far between. They could be contained in a small brochure. The rest of the book is a rambling assortment of observations on everything from psychoanalysis to Marxism to whatever cultural abomination Zizek just stumbled across. Much of this other material is useful or entertaining, but it stands in contrast to the apparently dim-witted acceptance of the inevitability of militarism.

Jameson is adamant that we can reject the inevitability of capitalism, and of just about anything else we see fit. "Human nature" he points out, quite rightly, does not exist. And yet, the notion that the only place where a U.S. government could ever put any serious money is the military is silently accepted for many pages and then explicitly stated as fact: "[A] civilian population -- or its government -- is unlikely to spend the tax money warfare demands on purely abstract and theoretical peacetime research."

That sounds like a description of the current U.S. government, not all governments past and future. A civilian population is unlikely as hell to accept universal permanent conscription into a military. That, not investment in peaceful industries, would be unprecedented.

Jameson, you'll notice, relies on "warfare" to motivate the power of his idea of using the military for social and political change. That makes sense, as a military is, by definition, an institution used for waging war. And yet, Jameson imagines that his military won't wage wars -- sort of -- but will for some reason go on being funded anyway -- and with a dramatic increase.

A military, Jameson maintains, is a way to compel people to mix with each other and form a community across all the usual lines of division. It's also a way to compel people to do exactly what they are ordered to do at every hour of the day and night, from what to eat to when to defecate, and to condition them to commit atrocities on command without stopping to think. That's not incidental to what a military is. Jameson hardly addresses the question of why he wants a universal military rather than, say, a universal civilian conservation corps. He describes his proposal as "the conscription of the entire population into some glorified National Guard." Could the existing National Guard be more glorified than its advertisements now depict it? It's so misleadingly glorified already that Jameson mistakenly suggests that the Guard answers only to state governments, even as Washington has sent it off to foreign wars with virtually no resistance from the states.

The United States has troops in 175 nations. Would it dramatically add to them? Expand into the remaining holdouts? Bring all the troops home? Jameson doesn't say. The United States is bombing seven nations that we know of. Would that increase or decrease? Here's all that Jameson says:

"[T]he body of eligible draftees would be increased by including everyone from sixteen to fifty, or if you prefer, sixty years of age: that is, virtually the entire adult population. [I can hear the cries of discrimination against 61 year-olds coming, can't you?] Such an unmanageable body would henceforth be incapable of waging foreign wars, let alone carrying out successful coups. In order to emphasize the universality of the process, let's add that the handicapped would all be found appropriate positions in the system, and that pacifists and conscientious objectors would be places in control of arms development, arms storage, and the like."

And that's it. Because the military would have more troops, it would be "incapable" of fighting wars. Can you imagine presenting that idea to the Pentagon? I would expect a response of "Yeeeeeeaaaah, sure, that's exactly what it would take to shut us down. Just give us a couple hundred million more troops and all will be well. We'll just do a bit of global tidying up, first, but there'll be peace in no time. Guaranteed."

And the "pacifists" and people with consciences would be assigned to work on weaponry? And they'd accept that? Millions of them? And the weaponry would be needed for the wars that wouldn't be happening any more?

Jameson, like many a well-meaning peace activist, would like the military to do the sort of stuff you see in National Guard ads: disaster relief, humanitarian aid. But the military does that only when and only as far as it's useful to its campaign to violently dominate the Earth. And doing disaster relief does not require total abject subservience. Participants in that kind of work don't have to be conditioned to kill and face death. They can be treated with the sort of respect that helps make them participants in a democratic-socialist utopia, rather than the sort of contempt that helps lead them to committing suicide outside a VA hospital admissions office.

Jameson praises the idea of "an essentially defensive war" which he attributes to Jaurès, and the importance of "discipline" which he attributes to Trotsky. Jameson likes the military, and he stresses that in his utopia the "universal military" would be the end-state, not a transition period. In that end-state, the military would take over everything else from education to healthcare.

Jameson comes close to acknowledging that there might be some people who would object to this on the grounds that the military industrial complex generates mass murder. He says that he is up against two fears: fear of the military and fear of any utopia. He then addresses the latter, dragging in Freud, Trotsky, Kant, and others to help him. He doesn't spare one word for the former. He later claims that the real reason people are resistant to the idea of using the military is because within the military people are compelled to associate with those from other social classes. (Oh the horror!)

But, fifty-six pages in, Jameson "reminds" the reader of something he hadn't previously touched on: "It is worth reminding the reader that the universal army here proposed is no longer the professional army responsible for any number of bloody and reactionary coups d'etat in recent times, whose ruthlessness and authoritarian or dictatorial mentality cannot but inspire horror and whose still vivid memory will certainly astonish anyone at the prospect of entrusting a state or an entire society to its control." But why is the new military nothing like the old one? What makes it different? How, for that matter, is it controlled at all, as it takes over power from the civilian government? Is it imagined as a direct democracy?

Then why don't we just imagine a direct democracy without the military, and work to achieve it, which seems far more likely to be done in a civilian context?

In Jameson's militarized future, he mentions -- again, as if we should have already known it -- that "everyone is trained in the use of weapons and nobody is allowed to possess them except in limited and carefully specified situations." Such as in wars? Check out this passage from Zizek's "critique" of Jameson:

"Jameson's army is, of course, a 'barred army,' an army with no wars . . . (And how would this army operate in an actual war, which is becoming more and more likely in today's multicentric world?)"

Did you catch that? Zizek claims this army will fight no wars. Then he wonders exactly how it will fight its wars. And while the U.S. military has troops and bombing campaigns underway in seven countries, and "special" forces fighting in dozens more, Zizek is worried that there might be a war someday.

And would that war be driven by weapons sales? By military provocation? By militarized culture? By hostile "diplomacy" grounded in imperialistic militarism? No, it couldn't possibly be. For one thing, none of the words involved are as fancy as "multicentric." Surely the problem -- albeit a minor and tangential one -- is that the multicentric nature of the world may start a war soon. Zizek goes on to state that, at a public event, Jameson has envisioned the means of creating his universal army in strictly Shock Doctrine terms, as an opportunistic response to a disaster or upheaval.

I agree with Jameson only on the premise with which he begins his hunt for a utopia, namely that the usual strategies are sterile or dead. But that's no reason to invent a guaranteed catastrophe and seek to impose it by the most antidemocratic means, especially when numerous other nations are already pointing the way toward a better world. The way to a progressive economic future in which the rich are taxed and the poor can prosper can only come through redirecting the unfathomable funds that are being dumped into war preparations. That Republicans and Democrats universally ignore that is no reason for Jameson to join them.

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Selasa, 05 Juli 2011

[S606.Ebook] Download PDF Sleeping Beauty (Siren Publishing Menage Amour), by Beth D. Carter

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Sleeping Beauty (Siren Publishing Menage Amour), by Beth D. Carter

[Menage Amour: Erotic Futuristic Sci-Fi Menage a Trois Romance, M/M/F, with M/M, light bondage, spanking, HEA] Ronan Hark and Noah Kabot are deep space salvagers, partners in business as well as in life. While investigating an old ship they discover a cryo chamber holding the frozen body of a beautiful woman who's been asleep for thirty-one years. Against Ronan's better judgment, they take the chamber and wake her up. Alivia Carian has spent her life living as a sheltered yet unloved princess, until the day she is forced into cryostasis. It was only supposed to be for a short time, but somehow her ship crashed and she became nothing more than a memory. But now everything has changed. A hunter is after her and killing anyone who knows she's alive. As they race across the expanse of space, can Ronan and Noah keep her safe? And what happens when she finally returns home to confront a life that forgot about her? ** A Siren Erotic Romance

  • Sales Rank: #1038270 in eBooks
  • Published on: 2013-09-11
  • Released on: 2013-10-07
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
No Seven Dwarves here.. smiles
By Daria
A nice little read, involves a scavenger, a frozen heir apparent and a ex hooker. (smiles) All of them seemed to make it work. Ronan is a quiet thinker, always tries to looks a couple of steps ahead. Noah has so much energy, he will head into things without thinking it through too much. Alivia has slept her life away literally, when she finally wakes 30 years has passed.
Ronan knows they are headed from trouble, when the push forward to investigate a sound that Noah has heard. Of course against his better judgment they head toward the, abandoned ship and the sound. Upon entering the ship they discover a very expensive looking cryo unit, with what appears a young beautiful female still encased.
There a twist or two to this delightful little story. Royal intrigue, take overs, greed top that off with emotions that run rampant. Each of the star characters had a past, all of them together can head each other. In the middle of making the “bed springs” bounce, and the captains chair swivel (smiles) with some pretty hot scenes. The three of them will have to stay ahead of the “Hunter” that’s on their tail, to take out Aliva and make her just a memory. They will run into another bit of danger which ensues a rescue attempt.
This is the first book Ice read from this author, a job well done. Enjoy

0 of 0 people found the following review helpful.
Hot fun futuristic tale!
By Loves To Read
This book is a fun, hot futuristic adventure. I loved this very fresh m/m/f version of a classic fairytale. Two hot men, already committed to each other, wake this sleeping princess and everything changes. They fall head-over-heals in love with the brave albeit innocent woman. When family drama arises they find themselves faced with the choices. I don't want to leave a spoiler so I'll be cautious with the way I finish. Will Alivia choose love or duty? I was happy with the surprise at he end. Another great read from Ms. Carter, I give this five stars.

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