[J886.Ebook] PDF Download Computer Simulations with Mathematica (R): Explorations in Complex Physical and Biological Systems, by Richard J. Gaylord, Paul R. Wellin

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This book/CD-ROM package uses the Mathematica programming language to demonstrate the use of computer simulation as a research tool in all of the sciences, providing materials for students and professionals in such fields as physics, biology, chemistry, ecology, materials science and urban planning. The use of MathLink and "C" programs allow readers to run the most time and memory intensive algorithms through a C-compiler on a local machine. Only a minimal background in Mathematica programming is assumed. Self-contained explanations of the Mathematica and the use of MathLink are given in the Appendices. Equal emphasis is placed on the development of efficient Mathematica programs and on the visualization and numerical analysis of computer simulation results.

• Sales Rank: #2200128 in Books
• Published on: 1995-03-09
• Original language: English
• Number of items: 1
• Dimensions: 1.01" h x 7.37" w x 9.59" l,
• Binding: Hardcover
• 297 pages

Most helpful customer reviews

19 of 19 people found the following review helpful.
{short, nonsense-free, systematic, self-contained}->ELEGANT
By Tong Lu (tlu@csom.umn.edu)
How does the algorithmic approach work diffently from the equational approach? Gaylord/Wellin's neat book demostrates that. In cases of the presence of technical difficulties and the absence of the representability in terms of equations, the algorithmic approach is gainning more and more significance and enjoys a promising future. The book covers both the probabilistic systems and cellular automata. Wide-reaching 14 physical and biological systems are presented to suit various readers' tastes. [It would be a plus if in 2nd edition, the economic systems are EXPLICITLY included, although the authors did put some, say, the random walk model, in the book.] Each chapter is short [thus, time-saving for self-study], nonsense-free,systematic, and self-contained. It starts from step-by-step code fragments, to the integration of parts into a elegant program. Then, it was wrapped up with the numerical analysis and visualization both to give a feel of the performance of the model and to blow in a strand of breeze in our sometimes dry computer programming work. [Hopefully in next edition the sample solutions to the end-of-chapter computer projects will be added.] Appendix A and B on MATHEMATICA programming and random number generators concentrate on a few essential points [rather than on everything] and the authors delivered them effectively. In a nutshell, if you're interested in simulation and if you'd like to use MATHEMATICA, I recommend this superb book by Gaylord/Wellin.

5 of 6 people found the following review helpful.
The Book To Buy When Modeling Cellular Automata
By Math Student-Extended
This is the book to buy if you want to build and run the Cellular Automata pioneered by Stephen Wolfram (inventor of "Mathematica" the absolute best math software and more). Like most of us who have been waiting for more than a decade for Wolfram to finish his opus magnum "A New Kind of Science" (available for pre-ordering here on Amazon.com), one can get a little tired of waiting and want to run some of the sterling images sneak pre-viewed on his WEB site to gain some of the same insights he has been gathering since first discovering this phenomenon in the early '80's. I first bought Gaylord's later book; "Modeling Nature",(also available here on Amazon.com)thinking that would be the definitive guide to actually programming and running the simulations on "Mathematica." It's a great book and has many good examples of other kinds of modeling software but not the kind we are interested in, his "ElementaryRules" for these [very] particular 1-Dimensional Cellular Automata. Buy it, program them, run them, view them, and forever have the way you view the world change!

2 of 2 people found the following review helpful.
Great intro to mathematica programming, but only a teaser,
By Marc
This book is older, but still worthwhile.

First, it really is a concise intro to various models for simulating various applied problems. And to that end it illustrates the power and beauty of Mathematica's programming paradigm.

The programmers who approach Mathematica really have a hard time with understanding how to really approach Mathematica as a programming tool. The natural inclination is to simply fit procedural designs, which Mathematica does support, but really does not harness the performance and pure simplicity of Mathematica's paradigm. This book not only illustrates it, but underscores it and highlights it in bold.

There are some great appendix, and this book has outstanding information on MathLink, which is one of the worst documented components. Also a great intro to using/programming mathematica in the appendix.

Now the back flap mentions alot of applications, and implies that the book covers them all, well it doesn't. At a high level, yes, but there are not extensive examples in the book covering all of the areas listed on the back of the book.

However, there is great coverage of brownian motion, Ising ( worth it just for this ), and Celular Autmata. There are some great applications. From traffic to forest to the game of life. There is alot packed into this book and it is worth the price.. ( well not 200.00, but under 30, yep ).

The CD comes with everything from notebooks to sourcecode. ( This is old and I have not tried to compile C code or use the binaries on the CD, but for the most part the mathlink stuff does not look like it will have any issues with any C compiler ).

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[U201.Ebook] PDF Download Symeon the Holy Fool: Leontius's Life and the Late Antique City (Transformation of the Classical Heritage), by Derek Krueger

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This first English translation of Leontius of Neapolis's Life of Symeon the Fool brings to life one of the most colorful of early Christian saints. In this study of a major hagiographer at work, Krueger fleshes out a broad picture of the religious, intellectual, and social environment in which the Life was created and opens a window onto the Christian religious imagination at the end of Late Antiquity. He explores the concept of holy folly by relating Symeon's life to the gospels, to earlier hagiography, and to anecdotes about Diogenes the Cynic.

The Life is one of the strangest works of the Late Antique hagiography. Symeon seemed a bizarre choice for sanctification, since it was through very peculiar antics that he converted heretics and reformed sinners. Symeon acted like a fool, walked about naked, ate enormous quantities of beans, and defecated in the streets. When he arrived in Emesa, Symeon tied a dead dog he found on a dunghill to his belt and entered the city gate, dragging the dog behind him. Krueger presents a provocative interpretation of how these bizarre antics came to be instructive examples to everyday Christians.

• Sales Rank: #5054727 in Books
• Published on: 1996-01-18
• Original language: English
• Number of items: 1
• Dimensions: .78" h x 6.42" w x 9.59" l,
• Binding: Hardcover
• 216 pages

About the Author
Derek Krueger is Assistant Professor of Religious Studies at the University of North Carolina at Greensboro.

Most helpful customer reviews

8 of 28 people found the following review helpful.
great inspiration for a new Christianity
By A Customer
This book about the wise-fool saint Symeon was so inspirational to me that I've made a deeply personal vow to religiously observe July 21st by spreading all manner of golden chaos and absurdem as possibly befits and behoves me and my oceanic cult --Ark Spurting Blood; which observes the Dominator shipwreck as a religieous object cast out from the oceans stomach and which we consider to be possibly a great transporter of and for the flesh,and blood, and spirit of Saint Symeon when he arrived on the West coast (after ascension) to convert the Chumash natives-- who in return converted him to the Jimson weed Burning Wheel. A fine book ; that will truely bring forth the real inspiration of what Christ in his swarm wisdom was trying to get across to the ignorant hordes and disciples-- who in little moderation, got mislead through their lack of insight and veneration for truths outside their fears of insects and animals.

0 of 0 people found the following review helpful.
Just reading and learning about this odd fellow
By Dan E. Nicholas
Just reading and learning about this odd fellow, St. Simeon of Emesa, Holy Fool. Would love to get a copy of The Real Deal book here, out of print for some time.

In the mean time, a good place to look for thoughts on St. Simeon of Emesa and other the Holy Fools of the Eastern Church would be Bp. Kallistos Ware and his The Inner Kingdom: Volume 1 of the Collected Works by Kallistos Ware (Aug 1, 2000) or Abba, a collection of articles done recently in Bp. Ware's honor and for his 30 plus years of service at Oxford teaching about the Eastern Church. So, look to those two works with a chapter each on Holy Fools. Abba: The Tradition of Orthodoxy in the West (Festschrift for Bishop Kallistos of Diokleia) by Andrew Louth, Dimitri E. Conomos, Kallistos Ware and John Behr (Feb 6, 2003). In Abba you'll find an article by a student of Ware's on St. Simeon of Emesa and other great and holy fools. In Bp. Wares work you'll get to know what it is like to be the intellectual pope of the Eastern Church, a bishop a monk/priest a professor and at the same time a "student of fools". Got to like that.

In the mean time, if you're reading this and would like to send me a copy of this book if you have one? I'll make you famous with the fools of heaven with my prayers. Until then, I'll just read various clips online or the text on Google books, a trove out out of print books. This one is a couple decades old.

In the tale of St. Simeon I love the part where after praying and living the ascetic life for 29 years in the desert near the Dead Sea, this holy man tries to talk his friend and fellow monk, St. John of Edessa, to join him in his new mission. The Simeon plan received in a vision is to leave the quiet of the desert and a life of prayer to go to the bustle and hustle of town in order to "mock the world". And so he let his freak flag fly in this way and made way to the city. Crossing the threshold of the town gate he did so while dragging the carcass dead dog on a rope behind him. The youth of town joined in and beat him with sticks and a few stones. Thus performance art was born. The next day, being holy, he of course went to church. But he went to church to:

a) pinch out some candles, extinguishing the flame
b) throw nuts at the back of the heads of some ladies
c) tip over the pastry tables at the back of church on his way out.

Hmmm. Not going to go down well with the Greek ladies in the kitchen who do all that baking for festival.

And yet he did ordinary saint type things. He fed the poor and healed the blind. But this healing he did with the standard ecclesiastical tool of a mess of cooked sausage, link by link, tossed over his shoulder like a cleric's stole. He carry a pot of mustard on his belt along with the links as he munched toured town. During Lent no doubt. Yes, he applied mustard via that sausage to an almost blind man, making his eyes burn with pain until he ran to a real doc in town and and went totally blind along the way. Only later to come back to the fool St. Simeon who healed him, returning to him his sight.

The author Derek Krueger takes us on an absurd rail ride with a strange holy man who according to the record of Leontius, "...walked about naked, ate enormous quantities of beans, and defecated in the streets." Something oddly wonderful here to me about a man not worried at all about what people might think of him. But this was part of his game, not to appear holy or take credit. Who doesn't wish they could see more of this in church life?

This 7th century man man wasn't only an odd fellow but he cared about odd folks and the poor and the blind. Yet he'd love to go to uptown parties and mock the rich. Got to love this odd chap who very much wanted zero credit for any good deed that might be laid at his feet. I doubt, too, that he'd be found in a pretty black cassock dangling a prayer rope on his wrist in the local supermarket.

Love the wood cut on the cover, of St. Simeon dragging his dead dog, making his grand entrance into Edessa that first day. Most painted icons you see today of this saint put him with two other nice church fellows who share his day on the commemoration calender; all three dressed up church pretty of course. How dumb is that. I like the image on the cover of Krueger's work, the wood cut of the saint dragging his famous dung hill dog, dead as dead can be, youth beating him as he made his way.

St. Simeon the Holy Fool was buried when his time was done; in a boot hill graveyard set aside out of town for the indigent and homeless. Where losers go and nobody cares. Yet he is dear to me in that I was blessed last year to visit Mar Saba their at the edge of the Holy Land; where this blessed and odd man was tonsured as a monk in those early centuries.

God indeed loves the the misfits and some are just better at it than others I think. Because they find the secret of being holy in their oddity. So, there's hope for me. By your prayers, St. Simeon. By your prayers.

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[F683.Ebook] Ebook Download Partisan Politics, Divided Government, and the Economy (Political Economy of Institutions and Decisions), by Alberto Alesina, Howard Rosen

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This book explores how the political process in the United States influences the economy and how economic conditions influence electoral results. It explains how the interaction between the President and Congress lead to the formulation of macroeconomic policy and how the American voters achieve moderation by balancing the two institutions. Fluctuations in economic growth are shown to depend on the results of elections and, conversely, electoral results to depend on the state of the economy. The final chapter of the book establishes striking similarities between the American political economy and other industrial democracies.

• Sales Rank: #455506 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1995-01-27
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .67" w x 5.98" l, .98 pounds
• Binding: Paperback
• 300 pages

Features

• Used Book in Good Condition

Review
"...a challenging and important work...in this key area of interdisciplinary research, Alesina and Rosenthal's multi-faceted formal arguments and empirical tests are likely to set the standard for many years." Keith Krehbiel, Stanford University

"Alesina and Rosenthal bring together two major themes in the current study of American politics--divided government and the political business cycle. In so doing, they develop a theoretically innovative, statistically well-grounded model of the United States political economy. A strong round of applause is in order." Michael S. Lewis-Beck, Professor, the University of Iowa

"Alesina and Rosenthal have made what will surely be an enduring contribution....This book represents a genuine advance in the political business cycle literature....This book is accessible and holds value for both economists and political scientists. It should prove very useful to graduate students, but will also be stimulating to readers who are already familiar with the existing literature on political business cycles. This book would make a nice addition to a graduate seminar on applied political economy; any course which covers political business cycles would be incomplete absent this book as a required text." Jeffrey Milyo, Journal of Politics

From the Back Cover
This book develops an integrated approach to understanding the American economy and national elections. Economic policy is generally seen as the result of a compromise between the President and Congress. Because Democrats and Republicans usually maintain polarized preferences on policy, middle-of-the-road voters seek to balance the President by reinforcing in Congress the party not holding the White House. This balancing leads, always, to relatively moderate policies and, frequently, to divided government. The authors first outline the rational partisan business cycle, where Republican administrations begin with recession, and Democratic administrations with expansions, and next the midterm cycle, where the President's party loses votes in the mid-term congressional election. The book argues that both cycles are the result of uncertainty about the outcome of presidential elections. Other topics covered include retrospective voting on the economy, coat-tails, and incumbency advantage. A final chapter shows how the analysis sheds light on the economies and political processes of other industrial democracies.

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0 of 11 people found the following review helpful.
Bogus Interview
By A Customer
Please note that Howard G. Rosenthal, with whom you feature an on-line interview under this title, is not the author of the book, Howard L. Rosenthal

0 of 1 people found the following review helpful.
Three Stars
By msangel2
Purchased for a faculty member and I received no complaints.

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[N107.Ebook] Download Rachmaninoff: Life, Works, Recordings, by Max Harrison

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Sergei Rachmaninoff (1873-1943) is now widely regarded as one of the greatest 20th-century composers and pianists. In this illuminating and accessible biography, Max Harrison covers the span of Rachmaninoff's life, taking in his career as composer, pianist and conductor, offering full analyses of his scores and a uniquely detailed treatment of his 1919-1942 recordings. A fascinating account of the man, his life and work, this book sheds much new light on its subject and the ways that Rachmaninoff was viewed during his own time and beyond.

• Sales Rank: #1068550 in Books
• Published on: 2006-11-28
• Released on: 2006-11-28
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .88" w x 6.14" l, 1.42 pounds
• Binding: Paperback
• 432 pages

Review
'This new study of Rachmaninoff by Max Harrison betokens a lifetime's study of this great composer and pianist, and is extended beyond the customary life and works framework to embrace Rachmaninoff's extensive recorded legacy, which, as time goes by, should become an essential part of any discussions of the life and works of those composers who have made recordings of their own music. The result is a welcome addition to the growing appreciation of Rachmaninoff's genius. Max Harrison wears his scholarship lightly, producing an eminently readable text which unveils the story of Rachmaninoff clearly and interestingly. His comments on the music and especially on Rachmaninoff's extensive recordings are particularly insightful, and add much to our understanding of them...very well-researched book...This excellently-produced book is much to be commended, and is most reasonably priced.' (Musical Opinion)

'Not only sculpts a crystal clear figure of Rachmaninoff the man, but also refines the transcript of his working life...we should, therefore, be indebted to Harrison for directing us to what is now a full colour portrait of an artist drawn through the visions of his creative self.' (David Sonin Ham and High)

'A useful addition to the literature on someone who has finally become one of the most respected, if retrospective, 20th-Century composers.' (Fergus Johnston The Irish Times)

'Harrison's work is admirable... his research is exhaustive and wide-ranging... Harrison is a man with a mission to make us take Rachmaninoff's music more seriously... a book to be treasured by all... it is impossible to read it without reflecting that its subject has been comprehensively misunderstood; Harrison's work takes a major step to putting that situation right and doing justice to the composer and his music.' (Max Harrison International Piano Magazine)

'...an honest, enormously detailed and very interesting book on a fascinating subject.' (Bahman Barekat Rachmaninoff Society Newsletter)

'It is so satisfying to have another important book about this great composer - it is comprehensive and well researched. Max Harrison writes with passion and intelligence - highly recommended'. Vladimir Ashkenazy, President of the Rachmaninoff Society

'Max Harrison slices through a century's worth of wrongheaded critical bluster and rediscovers the music of a major composer. Essential reading' - Terry Teachout

transcends the already considerable available scholarship on Rachmaninoff with this perspicuous work which allows the reader not only to understand how the political and practical realities of the musician's circumstances helped direct the course of his life and livelihood, but how his creative existence evolved. By avoiding overly technical discussions when analyzing Rachmaninoff's compositions, the author is able to communicate his ideas to a broad musical audience." —CHOICE, July 2006

'his knowledge both of the repertoire and of other painters are impressive...he covers everything, and enthusiastically defends the originality of Rachmaniov's later works...Three stars...for diligence.'~ David Nice, BBC Music Magazine (David Nice)

"[A] compelling narrative...'A composer's music...should be the sum total of a composer's experience.' Rachmaninov once claimed. After reading this biography you should be left in no doubt as to that statement's veracity." (Julian Haylock, Classic FM Magazine)

"an impressive achievement, the result of meticulous research and a long, deep association with its subject...Its tone is crisp, energetic and omniscient...no one who is interested in any aspect of this great musician's legacy can afford to miss Harrison's engaging, scholarly and, yes, inspiring biography." (Jeremy Nicholas, Gramophone)

For readers of this journal, Rachmaninoff's own recordings will be a central interest. Harrison discusses each one in more detail than is usual. Particularly valuable is his discussion of the duplication of repertoire. He compares both the published recordings with the series of the piano rolls that Rachmaninoff recorded for Ampico during the twenties." (Association for Recorded Sound Collections Journal (ARSC Journal))

"Anyone deeply interested in the music of Rachmanimov who would like to really know about the Russian master's composition process will find Rachmaninov:Life, Works, Recordings to be of great interest." "there's no doubt that Harrison knows Rachmaninov's music in detail" "An intense and in-depth read, this is a book for real Rachmaninov aficionados." Pianist, No. 37, August-September 2007 (Pianist)

Nominated as a finalist for the Association for Recorded Sound Collections, Classical shortlist. (Finalists for the 2006 ARSC Awards for Excellence)

"The general excellence of this 'life and works' is greatly enhanced by generous coverage of Rachmaninov's parallel careers as pianist and conductor. Compared to other notable biographers, Harrison provides a more comprehensive portrait of Rachmaninov the all round musician" (Classical Music, Philip Borg - Wheeler)

"Sergei Rachmaninov's three-dimensional career as pianist, conductor, and composer receives the most comprehensive scholarly analysis to date in this work by Mark Harrison. Harrison's own trisection of Rachmaninov—life, works, and recordings—address and surpasses the common themes of biographers and, via remarkable descriptions of compositions and performances preserved on sound recordings, transports the reader to concert halls and recording studios where Rachmaninov performed."—Lois Alexander, University of Michigan-Flint, Slavic and East European Journal, 51.4, Winter 2007 (Lois Alexander)

''A widely published musical journalist, Max Harrison writes in a cultivated and comfortable British English... pleasingly free from jargon''

''Harrison seems to have set himself the task of not only presenting the chronology and circumstances of Rachmaninoff's life and works with scrupulous clarity and care but also to refute the denigration of Rachmaninoff's original works that became fashionable when the composer settled in the U.S. after feeling the Bolshevik Revolution'' Dennis D. Rooney, ARSC Journal, Spring 2007

"[Michael] Scott's (founder, London Opera Society; The Great Caruso) book on pianist-composer Sergey Rachmaninoff [Rachmaninoff] is almost entirely biographical, unlike Barrie Martyn's Rachmaninoff: Composer, Pianist, Conductor and Max Harrison's Rachmaninoff: Life, Works, Recordings, which combine biography with musical analysis (both have musical examples, but Scott's book does not)...Martyn and Harrison offer superior examinations of Rachmaninoff's music...Martyn's and Harrison's books also have illustrations...For a general treatment of Rachmaninoff's life and music, Harrison's book is the best." —Bruce R. Schueneman, Library Journal, February 1, 2009

CHOICE, July 2006

'his knowledge both of the repertoire and of other painters are impressive...he covers everything, and enthusiastically defends the originality of Rachmaniov's later works...Three stars...for diligence.'~ David Nice, BBC Music Magazine (Sanford Lakoff)

"[A] compelling narrative...'A composer's music...should be the sum total of a composer's experience.' Rachmaninov once claimed. After reading this biography you should be left in no doubt as to that statement's veracity." (Sanford Lakoff)

"an impressive achievement, the result of meticulous research and a long, deep association with its subject...Its tone is crisp, energetic and omniscient...no one who is interested in any aspect of this great musician's legacy can afford to miss Harrison's engaging, scholarly and, yes, inspiring biography." (Sanford Lakoff)

Max Harrison’s comprehensive biography treats the life, works and recordings exactly as stated in the subtitle. A chronological survey of all three together in the course of thirty-nine relatively short chapters, supplemented by a section of fifty-four musical examples similarly ordered, a list of works both by chronological order and classification, an abbreviated discography and the bibliography. By keeping the chapters short, it is easy to peruse the reference notes at the end of each one. These are almost all explanatory and entertainingly informative widely published musical journalist. Max Harrison writes in a cultivated and comfortable British English. It is pleasingly free of jargon… For readers of this journal, Rachmaninoff’s own recordings will be a central interest. Harrison discusses each one in more detail than is usual. Particularly valuable is his discussion of the duplication of repertoire. He compares both the published recordings with the series of the piano rolls that Rachmaninoff recorded for Ampico during the twenties.” (Sanford Lakoff)

"Anyone deeply interested in the music of Rachmanimov who would like to really know about the Russian master's composition process will find Rachmaninov:Life, Works, Recordings to be of great interest." "there's no doubt that Harrison knows Rachmaninov's music in detail" "An intense and in-depth read, this is a book for real Rachmaninov aficionados." Pianist, No. 37, August-September 2007 (Sanford Lakoff)

Nominated as a finalist for the Association for Recorded Sound Collections, Classical shortlist. (Sanford Lakoff)

"The general excellence of this 'life and works' is greatly enhanced by generous coverage of Rachmaninov's parallel careers as pianist and conductor. Compared to other notable biographers, Harrison provides a more comprehensive portrait of Rachmaninov the all round musician" (Sanford Lakoff)

"Sergei Rachmaninov's three-dimensional career as pianist, conductor, and composer receives the most comprehensive scholarly analysis to date in this work by Mark Harrison. Harrison's own trisection of Rachmaninov–life, works, and recordings–address and surpasses the common themes of biographers and, via remarkable descriptions of compositions and performances preserved on sound recordings, transports the reader to concert halls and recording studios where Rachmaninov performed."—Lois Alexander, University of Michigan-Flint, Slavic and East European Journal, 51.4, Winter 2007 (Sanford Lakoff)

“[Michael] Scott’s (founder, London Opera Society; The Great Caruso) book on pianist-composer Sergey Rachmaninoff [Rachmaninoff] is almost entirely biographical, unlike Barrie Martyn’s Rachmaninoff: Composer, Pianist, Conductor and Max Harrison’s Rachmaninoff: Life, Works, Recordings, which combine biography with musical analysis (both have musical examples, but Scott’s book does not)…Martyn and Harrison offer superior examinations of Rachmaninoff’s music…Martyn’s and Harrison’s books also have illustrations…For a general treatment of Rachmaninoff’s life and music, Harrison’s book is the best.” –Bruce R. Schueneman, Library Journal, February 1, 2009

About the Author
Max Harrison is a musicologist who reviewed for The Times and The Gramophone from 1967-90, has written widely on jazz, and contributed to the 1980 edition of The New Grove Dictionary of Music and other reference works.

Most helpful customer reviews

37 of 37 people found the following review helpful.
Rachmaninoff Revisited
By Karl F. Miller
Harrison's book is brilliant. Since my first exposure to Rachmaninoff's music, I have been a collector of recordings of his music, the scores, and the composer's own recordings. Having read just about everything written about the composer, including the biographies written by Bertensson and Leyda, Bazhanov, Haylock, Lyle, Martyn et al, I came away from Harrison's book with a fresh image of the composer. It was one of those books that one reads looking forward to each page and almost dreading that the book, as did the composer's life, would end too soon.

Harrison clearly knows the music and all of the recordings. While he obviously places great value in the music, he is not unconditional in his appreciation. He provides a highly informed contemporary critical perspective and places the music within the context of the composer's life. It is the sort of writing that can be appreciated by an informed musician and musicologist, while also being understood and valued by the informed listener.

As I read the book I found myself returning to the Rachmaninoff operas, works which I had not really valued as much until reading Harrison's discussions.

I came away from my reading with a renewed appreciation for the music and recordings of this man who gave us all so much with his creative expression.

21 of 22 people found the following review helpful.
One of the best Rachmaninoff books ever written.
By Louie Bourland
Over the last century, much has been written on the great Russian composer/pianist Sergei Rachmaninoff. However, if there is one book that encompasses mass detail of the life and work of Rachmaninoff, it would have to be "Rachmaninoff: Life, Works, Recordings" written by Max Harrison.

Harrison's massive research in writing this book definitely pays off as it includes detailed annotations of Rachmaninoff's music works as well as his personal life and career as a recording artist. When it comes to the latter topic, this book may be the only one that goes greatly in depth to the making of Rachmaninoff's recordings. If you own the Rachmaninoff "Complete Recordings" box set, this book goes hand in hand with the CD set and shines greater light on what's being heard.

In addition to the lengthy and informative essay, the book also includes several musical examples as well as a complete list of the composer's works and a discography of his complete recordings (which lists both the issued and rejected takes alongside the years and places of recording as well as what type of recording it is - piano roll, acoustical or electrical).

As mentioned above, this is an essential book on Rachmaninoff. This book pretty much has it all when it comes to all the key areas of his life and career as a composer, a recording artist and an individual.

This is definitely a book that no Rachmaninoff fan should be without.

3 of 3 people found the following review helpful.
A contemporary musicologist's take on Rachmaninov's works
By John R. Blackburn Jr.
Max Harrison's expertise as a top-notch musicologist is used to full advantage in this masterfully-researched and written biography of Rachmaninov. Like other reviewers, I found Harrison's very detailed assessments of each of Rachmaninov's published works to be incredibly informative. Take, for example, his view that Rachmaninov was, despite popular wisdom to the contrary, an excellent composer of large-scale symphonies. That the shoddy treatment given his first symphony reflected far more the narrow-mindedness and incompetence of the conductor, orchestra, and critics than any real shortcomings in this grand and beautiful work by a young and very talented composer.

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• Sales Rank: #1966311 in Books
• Brand: Cengage Learning
• Published on: 2006-11-20
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .80" h x 8.40" w x 10.70" l, 1.60 pounds
• Binding: Paperback
• 368 pages

Features

• Used Book in Good Condition

About the Author
Kathy Yoshiwara was born in Derby in the UK and grew up in Richmond, Virginia. She attended Michigan State University, where she studied Greek and mathematics. She did graduate work at UCLA and earned an MA in mathematics in 1977. She left UCLA in 1979 to join the faculty at Pierce College, where she has been teaching ever since, except for the 1988-1999 academic year, when she taught at Barnsley College in Yorkshire (northern England) on a Fulbright teaching exchange. She is the author or co-author of three mathematics textbooks and is a member of the Calculus Consortium for Higher Education, where she is part of the writing team for their Precalculus text. She is a member of the MAA (Mathematical Association of America) and currently serves on the Committee for Curriculum Renewal and the First Two Years (CRAFTY). In 1996 she received the Award for Distinguished College or University Teaching of Mathematics from the Southern California Section of the MAA. She is married to Bruce Yoshiwara and benefits from his expertise in all things mathematical.

Bruce Yoshiwara has taught full-time at L.A. Pierce College since 1989 (except for the 1998-1999 academic year, when he and his wife Katherine Yoshiwara both had Fulbright Teacher Exchange positions at Barnsley College, England). He is co-author (Katherine is the principal author) of three algebra and pre-algebra textbooks. He serves on the Mathematical Association of American (MAA) Committee on Computers in Mathematics Education and is a consultant for Project NExT (New Experiences in Teaching). Bruce is editor of the Pierce Math Department newsletter and maintains the department web page.

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“Lily and the Octopus is the dog book you must read this summer…a profound experience.” —The Washington Post

Combining the emotional depth of The Art of Racing in the Rain with the magical spirit of The Life of Pi, Lily and the Octopus is an epic adventure of the heart.

When you sit down with Lily and the Octopus, you will be taken on an unforgettable ride.

The magic of this novel is in the read, and we don’t want to spoil it by giving away too many details.

We can tell you that this is a story about that special someone: the one you trust, the one you can’t live without.

For Ted Flask, that someone special is his aging companion Lily, who happens to be a dog.

Lily and the Octopus reminds us how it feels to love fiercely, how difficult it can be to let go, and how the fight for those we love is the greatest fight of all.

Remember the last book you told someone they had to read?

Lily and the Octopus is the next one.

• Sales Rank: #10278 in Books
• Published on: 2016-06-07
• Released on: 2016-06-07
• Original language: English
• Number of items: 1
• Dimensions: 8.37" h x 1.10" w x 5.63" l, .0 pounds
• Binding: Hardcover
• 320 pages

From Publishers Weekly
Screenwriter Rowley’s sensitive, hilarious, and emotionally rewarding debut novel explores the effect that pets can have on human lives. Teddy is unhappily single in L.A. In between sessions with his therapist and dates with men he meets online, it is his beloved 12-year-old dachshund, Lily, who occupies his heart. Curiously, Teddy is able to communicate with Lily, with whom he debates the attractiveness of male celebrities and plays board games. Distressingly, he is also able to communicate with the “octopus” attached to the little dog’s head, which is soon revealed to be a metaphor for Lily’s lethal cranial tumor. Complicating matters is the increasing prevalence of Lily’s seizures and the looming inevitability of her demise. The intimacy of pet ownership is sweetly suffused throughout this heartwarming autobiographical fiction, originally written as self-therapy for the author’s own grief. In generous helpings of bittersweet humanity, Rowley has written an immensely poignant and touchingly relatable tale that readers (particularly animal lovers) will love. Agent: Rob Weisbach, Rob Weisbach Creative Management. (June)\n

Review
NATIONAL BESTSELLER

“Lily and the Octopus�is the dog book you must read this summer….�Reading this heart-wrenching but ultimately breathtaking novel was a very profound experience…. As Lily might say, ‘YOU! MUST! READ! THIS! BOOK!’”
—The Washington Post

“Startlingly imaginative...‘Lily and the Octopus’ is a love story sure to assert its place in the canine lit pack...Be prepared for outright laughs and searing or silly moments of canine and human recognition. And grab a tissue: THERE! WILL! BE! EYE! RAIN!”
—Newsday

“Sensitive, hilarious, and emotionally rewarding.... The intimacy of pet ownership is sweetly suffused throughout this heartwarming autobiographical fiction... In generous helpings of bittersweet humanity, Rowley has written an immensely poignant and touchingly relatable tale that readers (particularly animal lovers) will love.”
—Publishers Weekly

“Steven Rowley’s touching, fresh, energetic novel isn’t simply another ‘boy and his dog’ story. It is a profound exploration of grief—how we find ourselves lost, how we search for reason, how we sacrifice ourselves for our loved ones, all to avoid paying the octopus. But the octopus will be paid. And in settling that debt, in the magical, hopeful world of�Lily and the Octopus, we will learn to live—and love—again. A wonderfully moving story.”
—Garth Stein, bestselling author of�The Art of Racing in the Rain

“An exceedingly authentic, keenly insightful, and heartbreakingly poignant tribute to the purity of love between a pet and its human.”
—Booklist�(starred review)

“A quirky and deeply affecting charmer of a novel,�Lily and the Octopus�is funny, wise, and utterly original in its exploration of what it means to love any mortal creature. This brave little dachshund will capture your heart, as will her prickly, tenderhearted, and irresistible owner. Don't miss their adventures together.”
—Sara Gruen, bestselling author of�Water for Elephants

“Singular, spectacular, and touchingly tentacular.”
—Chris Cleave, bestselling author of�Little Bee

“You will tear through this big-hearted, inventive novel. A fast and funny read that also happens to be a profound meditation on love and forgiveness,�Lily and the Octopus�is a delight.”
—Christina Baker Kline, bestselling author of�Orphan Train

“Intelligently written, finely observed, and surprisingly moving, this is a book you’ll find hard to put down.”
—Graeme Simsion, bestselling author of�The Rosie Project

“A whimsical, touching tale”
—People

“My favorite book of the year: Steven Rowley's�Lily and the Octopus. Hilarious, heartbreaking. You will absolutely cry and you will love it."�
—Patrick Ness, bestselling author of�The Rest of Us Just Live Here

“You don’t need to be a dog lover to enjoy Steven Rowley’s new book, ‘Lily and the Octopus,’ but if you’ve realized you like your dog more than most humans you encounter, this is one you won’t want to miss.”
—Newport Beach Independent

“In his funny, ardent and staunchly kooky way, Rowley expresses exactly what it's like to love a dog.”
—Kirkus Reviews

“Rowley shares a moving, profound tale of grappling with loss.”
—Real Simple

“It is a joyful book; it is also a sincerely written tragedy that invoked the purity of friendship between animal/human family members. It's laughter through tears. Rowley has a sense of humor with just enough morbid sensibility to appeal to a wide audience (even if animal best friend books aren't one's thing). Yet, he navigates the five stages of grief and loss while inspiring others to appreciate the lives we already have.”
—Edge Media

“Portland’s Steven Rowley strikes a chord in a moving book about heartache and friendship that is expected to be a big seller this summer.”
—Portland Press Herald

“The connection between man and dog is loud and clear in this sweet novel…”
—Fort Worth Star-Telegram

“Author Steven Rowley uses humor and pop-culture references to tell a whimsical story of courage in the face of heartbreaking reality. Philosophical and introspective, “Lily and the Octopus” also looks at the transformative power of love, the importance of forgiveness and the beauty of really living, letting ourselves be seen instead of hiding in plain sight…I laughed, I sobbed, and at the end, I felt as if I’d caught up with a friend over coffee.”
—The Free Lance-Star

About the Author
Steven Rowley has worked as a freelance writer, newspaper columnist, and screenwriter. Originally from Portland, Maine, he is a graduate of Emerson College. He currently resides in Los Angeles with his boyfriend and their dog. Lily and the Octopus is his first novel. Follow him on Twitter and Instagram @MrStevenRowley.

Most helpful customer reviews

81 of 86 people found the following review helpful.
So good!
By Ryan Quinn
Listen, everyone. Stop whatever it is you're doing and read this book. Since I started Lily and the Octopus, a few strange things have happened: 1) My dog has started talking to me, 2) I have laughed like a maniac in public while tapping at my Kindle to turn pages faster, and 3) I have become FAR more emotional in public than I am comfortable with.

You do not need to be a dog lover to appreciate this book. You just have to be, you know, not an insensitive a-hole. And even if you are, this might be your weakness (just don't read it in public).

I highly recommend this to everyone. It will knock your socks off.

43 of 44 people found the following review helpful.
‘It’s Thursday the first time I see it.’
By Jennifer Cameron-Smith
Ted Flask lives with his dachshund Lily. Ted is lonely, but Lily is an adorable companion. Sure, she’s aging, she’s twelve, but the two of them have great times together. Until, one Thursday night, while Lily and Ted are talking about boys they think are cute, Ted notices an octopus over Lily’s eye.

This beautiful story is about Ted and Lily’s six month battle with the octopus. It’s also about life and love, about the bond that some of us form with our pets, about dealing with saying goodbye. It’s funny, heart wrenching and sad. Lily talks to Ted, and so does the octopus. Ted would do anything he could to defeat the octopus. Anything.

‘Lily you were, quite simply, the greatest to me.’

Reading this story, my thoughts were never very far away from my own special dog, the late great Sir Bruce the Battle Rat. If you are a pet lover, I think you’ll relate to this story. You may need tissues, I certainly did.

Note: My thanks to NetGalley and Simon & Schuster (Australia) for providing me with a free electronic copy of this book for review purposes.

Jennifer Cameron-Smith

31 of 32 people found the following review helpful.
My favorite book of 2016!
By Ultramike
I absolutely loved Lily and The Octopus. I found it almost impossible to put down and when I was forced to do so, I couldn't stop thinking about it. Steven Rowley has created a beautifully touching and poignant story. Our narrator, Ted Flask, is a man struggling with the loneliness and heartbreak of everyday existence. It made me think a lot about the things, big and small, significant and trivial, that happen to us all and how they ultimately make you who you are. A useless therapist. An ex-boyfriend. A challenging relationship with a distant mother. These are just some of Ted's stories.

Ted's best friend and companion is Lily, a 12 year old Dachshund. They share an amazing bond and I was so captivated by their relationship. In this sometimes fantastical tale, she speaks to Ted and I loved getting to hear her voice. We learn that there is something very wrong with Lily and Ted is forced to confront the possibility of life without his treasured dog.

This book is so beautifully written. It is funny and thoughtful and heartbreaking. I cried real tears. I found myself rereading entire chapters after I was done, just so I could go back and relive this wonderful story. I highly recommend this book. It's a definite must read!

See all 355 customer reviews...

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